File: tone_matrix_evolved.swf-(690 KB, Other)
[_] >>1943283 Anonymous 04/14/13(Sun)12:35 No.1943424
Marked for deletion (old).
>> [_] Anonymous 04/14/13(Sun)12:54 No.1943432
>>1943424
Ty
>> [_] Anonymous 04/14/13(Sun)13:06 No.1943436
Even with zero musical talent whatsoever, It still sounds nice.
>> [_] Anonymous 04/14/13(Sun)14:16 No.1943467
b
>> [_] Anonymous 04/14/13(Sun)15:14 No.1943509
I made two balls in the drums, a huge shaft up until the first and made the dickhead in the
first. It sounded glorious.
>> [_] Anonymous 04/14/13(Sun)16:48 No.1943599
Can someone who is music explain how these things ALWAYS sound awesome no matter what you do
Is it like, some tempo thing that is just universally appeasing?
Also I have wanted a multi-instrument Tonematrix for ages, thanks OP
>> [_] Anonymous 04/14/13(Sun)16:51 No.1943601
for some reason I can't seem to save it.
>> [_] Anonymous 04/14/13(Sun)16:52 No.1943602
>>1943599
The note frequencies are spaced at intervals so that, if they're played right next to each other,
they won't sound like ass and in fact are pretty pleasing to the ear. If the note matrix was
chromatic (like a piano) it would probably sound pretty horrifying.
>> [_] Anonymous 04/14/13(Sun)16:52 No.1943603
http://inudge.net/inudge#/null
>> [_] Anonymous 04/14/13(Sun)16:54 No.1943605
>>1943602
Not completely sure, but gonna try and work this out. In laymans, if the notes were numbers from
1 to 100, your saying instead of these notes being 1-2-3-4-5-6, it'd be more like 1-4-7-10 ecc,
so that there's a buffer that keeps them from conflicting?
At least, that's what it sounds like you mean, if so it makes perfect sense to me now, kinda like
colors just with sound.
>> [_] Anonymous 04/14/13(Sun)16:54 No.1943609
>>1943605
Yep, that's exactly it.
